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Go to Part Two: History

RETURNING  TO  THE  BEGINNING
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 (Part  One:  Introduction)
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A Delusion!   The Last Dispensation!   A Conspiracy!
The Ministering of Angels!   The Gold Bible Company...

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No matter what conclusion people may reach regarding the true nature of Mormonism, all can agree that the system and its followers did not suddenly appear, from out of nowhere, when the latter day "Church of Christ" was established on April 6, 1830. Some observers trace the movement's roots back to the early part of the 19th century, within the confines of the Joseph Smith, Sr. family. Other students of the "Restoration" claim its beginnings were set in motion in the Garden of Eden, if not before that time -- if not before the very origin of life on this planet.

In 1978 Franklin Kelly wrote: "during the first decade of the nineteenth century the idea that American nature was in fact the remains of the biblical Garden of of Eden gained currency. The United States came to be identified as a redeemer nation, isolated in its untouched natural grandeur from the decaying edifice of the old world." Early Mormonism promoted this same ideal -- of America as the original Land of Promise and the destined scene of a millenarian epic which would bring to pass the culmination of the "seventh dispensation."

Kelley goes on to quote from a pamphlet published in 1785, entitled The Golden Age: or, America Discovered by an Angel to Celadon in Several Entertaining Visions:

The story concerns a man named Celadon, who wishes to know what the future holds for the new nation. One night, as he sits musing under a tree by the banks of a stream, he falls into a trance-like state. An angel appears and reveals to him America's destiny. -- He sees a landscape of "spacious cities... thriving towns... a thick conjunction of farms, plantations, gardens." The vision culminates with Celadon observing the untouched wilderness of the West and imagining the day when it, too, will be transformed into a pastoral paradise.

Fragments of Celadon's seraphic vision would later appear briefly in Eliza R. Snow's 1829 poem, Human Life -- What is it? and more extensively in Parley P. Pratt's 1844 account, The Angel of the Prairies. Kelley mentions that Timothy Dwight, in his Travels in New England and New-York, published in 1821-22, described a similar experience, although without the mystical overtones of Celadon's account:
The present, imperfect state of the settlements in this region will, I am well aware, prevent many persons from forming just views concerning the splendor of its scenery. In so vast an expansion the eye perceives a prevalence of forest which it regrets . . . this temporary defect, from a long acquaintance with objects of this nature, and a perfect knowledge from experience of the rapid progress of cultivation, I easily overlook and am, of course, transported in imagination to that period in which, at a little distance, the hills, and plains, and valleys around me will be stripped of the forests which now majestically and even gloomily overshadow them, and be measured out into forms enlivened with all the beauties of cultivation.
This belief in America as the Garden of Eden rediscovered (or restored) is discernible in some of the romantic landscapes portrayed by early 19th century artists. Kelley singles out Thomas Cole's paintings as being especially good examples:
The true believer in the sanctity of progress could thus see beyond the "present, imperfect state" of the American scene into a glorious future of ordered prosperity.... Thomas Cole, who was so often preoccupied with nostalgic musings about the glories of the past, could write:

In looking over the yet uncultivated scene, the mind's eye may see far into futurity. Where the wolf roams, the plough shall glisten; on the gray crag shall rise temple and tower -- mighty deeds shall be done in the now pathless wilderness; and poets yet unborn shall sanctify the soil...

The goal of this web-site is to provide a place where ideas, discoveries, opinions and professions can be exchanged and shared in a relaxed, non-proselytizing atmosphere. Today there are numerous places on the web where partisans can express their arguments and emotions concerning Mormonism; but there are few on-line forums where Mormon origins can be discussed in a rational manner, free from agitated polemics. Premormon.com strives to be such a forum -- a place for reasonable inquiry and communication, within the calm eye of an otherwise stormy subject. The divine innocence and sensation of rebirth sought by the first Latter Day Saint converts can be well symbolized in Cole's 1842 painting, "Childhood." It has thus been selected as the unofficial mascot of premormon.com:


The Scope of this Site

Latter Day Saintism has become a vast array of subjects and sub-topics, ranging from health issues to politics. Premormon.com intends to set its focus on those early days before anybody had yet voiced the words "Mormon" or "Last Dispensation." Obviously that early period fades into more modern times in irregular ways, not always determined by the clock and calendar. But, as much as possible, this site will try to redirect its discussions and presentations back to the period before 1830.

All fair-minded people are invited to participate -- by communicating suggestions for the site's contents and by submitting finished presentations (in text, html, pdf or multi-media format), for sharing with others in the site's resources section.

Subject matter need not be restricted to theories concerning Mormonism's "true origins." That will no doubt be a topic of interest here, but the site is also dedicated to exploring the religious and social influences which predisposed early converts to accept and join what was then a new movement. "Where did Mormonism come from?" That is a question soliciting a thousand different answers -- and this site will try to accommodate as many of those answers as is humanly possible.

The site is hosted by Dale R. Broadhurst, who will review submissions for the site's resources section.


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last revised Oct. 1, 2011